This was directly inspired by If Only After You Then Me (or, Litanies) by Amadeus Regucera.
Composer's Statement:
"The text for If only after you then me is compiled from works by: William S. Burroughs, Jean Genet, George Bataille, Antonin Artaud. My interest in the literature of Burroughs, Genet, and Artaud (leading me to the philosophy of “base materialism” propagated by Georges Bataille) stems from a fascination and love for transgressive thought, critiques of accepted norms, and expressive forms of immediacy and contact. I place considerable import on first reactions and initial experiences, through which further exploration can take place. The text for Litanies, as the title implies, is merely a list, collated from different pieces of literature. What begin as symptoms of either drug use or dope sickness become a list of stream-of-consciousness words beginning with the letter “e,” perhaps in the mind of the addict who is swiftly moving towards transcendence/oblivion." —Amadeus Regucera
If Only After You Then Me (or, Litanies)
Amadeus Regucera
every graphic thought narcoleptic fantasy//in my memory you're a rare creature jagged
apparition swollen body desperate predator//If only after you then me//I wake I breathe I wait
I want I need I watch I sleep I dream I kill I'm born I die I eat I watch I touch I fuck I feel I feel I
need I want I feel I need I kill I kill I fuck I want (cut, my mouth my tongue my lips my face my
neck my skin your) Memory, like a deep wound carved into my mind; I remember, you, like a
scar. Running my hand over the dead flesh. our lives, an abattoir. meaningful. lying there,
awake. sitting.//here//I can see you sleep eyes turned inward I can't join you so I watch//so
close you are too far (sweetly towards a dream I feel your eyes on me you are too far)//if you
don't hear from me send help//don't promise//don't choke//your memory like a scar//a
destructive love airtight co-temporary periodic chaos//a memory, a scar, your memory, a
scar//your mouth and eyes your skin your skin your flesh wet flesh a rare creature a jagged
apparition swollen body desperate predator gorgeous teen flesh a black cigarette blood red
razor blades mouth eyes eyes face eyes face lips flesh a rare creature gorgeous teen flesh
every fiction every collision a composite disaster love is a fashionable emotion eyes mouth
lips eyes face eyes your mouth our lips your mouth our eyes your face my hand your eyes my
mouth your neck our skin your hair our lips your sweat my mouth your ear our skin your
hands my mouth your neck your mouth your skin your sweat your room your city your city
your your body is our bodies bodies are we are bro ken we we bro ken we are we we are help
please every graphic thought don't help send don't hear from me send help if only don't don't
don't CUT CUT CUT CUT CUT CUT CUT you're too far so tell me your words one text message
at a time me please your body is bodies are we are me please//[litany]//screaming head,
clenched teeth, white knuckles, sweated brow, bloodshot eyes, exhausted and empty,
effeminate, endlessly eradicated, Elysium, emasculate, emphallic, embolism, encephalitis,
eviscerate, extirpate, entropy, ephedrine, enuresis, excrescence encyst, eternal return
Series: Shadowbox Anomalous:
Sapiens Stories
Year: 2017
Dimensions:
12" x 12" x 1-13/16"
30 x 30 x 5 cm
Media: Mixed
Surface: Canvas, Gallery Wrapped
Exhibitions:
2018: Southern Exposure New Music Series, University of South Carolina School of Music, Sponsored by Sara Winsted
2022: Southern Exposure Retrospective "Artist Exposure", W. W. Hootie Johnson Performance Hall, Darla Moore School of Business, Columbia, SC
Awards: ---
Shelved was created as part of an artists' roundabout similar to the childhood "whisper game". Organized by Abstract Alexandra, a number of artists, starting with Alexandra, formed a virtual line. Each artist then viewed the work of the artist in front of them as it was completed and talked to that artist about their inspirations and meaning in creating their piece. Using that information for inspiration, the new artist created a piece that they then shared with the next artist in line. I was the last in line and created my work based on the poem and video created by Ed Madden. That work is called Tomatoes.
Tomatoes (by Ed Madden)
I should have spoken to my father
as we worked together, bending
over the rows, staking the tomatoes
fallen across the garden. Instead,
we planted the stakes, stretched the grids
of wire and shaped the cages, tenderly
lifted the heavy branches, threaded them
through the empty space.
Series: Shadowbox Anomalous:
Sapiens Stories
Year: 2019
Dimensions:
30" x 20" x 1-13/16"
76 x 50 x 5 cm
Media: Mixed
Surface: Canvas, Gallery Wrapped
Exhibitions:
2019: Whisper to a Shout
Awards: ---
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